1 Cruelty has a human heart

Cruelty Has a Human Heart

2013 - in progress

A work in progress. Collaboration with philosopher Lars Fr. H Svendsen

Skjermbilde 2012-11-02 kl. 4.38.55 PM

Det som vi har for oss selv (What we keep to ourselves)

2012 - in progress

A work in progress – a 6 min video sketch

Skjermbilde 2012-11-02 kl. 4.22.22 PM

Ukjent II

2012

Skjermbilde 2012-10-21 kl. 7.29.58 PM

Ukjent

2012

A performance by choreographer and dancer Runa Rebne (movement) and Lise Bjorne Linnert (voice)

Desconocida Unknown Ukjent, detail label

Desconocida Unknown Ukjent

2006 - ongoing

A global mass collaboration, protesting continuing murders of women in Ciudad Juarez, Mexico. 6200 hand embroidered nametags (by January 2013). Each 2 x 8 cm, stitched by 4500 individuals in 375 globally arranged workshops

Still lives. Distant faces #

Still Lives. Distant Faces.

2012 - ongoing

Collection of found photos, black or white silk thread.

Traced, from studio

Traced

2012 - in progress

Performance drawings, charcoal, pencil on Saunders waterford paper, 162x152cm

015

Fences

2009 - ongoing

A documented wandering with a political and social connotation.

Pulse drawings, installation sketch

Pulse drawings

2004 - ongoing

Fingerprint dust, trace of pulse, graphite on semitransparent drawing film.
Site specific installation, 2004 – ongoing

7

Presence

2006 - ongoing

A performance, using voice and silence, held at each exhibition opening where Desconocida Unknown Ukjent is installed.

About Lise Bjørne:

I spit, I scream, I whisper to activate materials like ashes, a recycle of my earlier works, burned for this purpose. Or I take my pulse and trace its imprint onto large scale paper. I do performances in the darkroom, leaving its trace on large photographic paper. I engage communities in relation to abuse of women. Through stitching the victim’s names and hearing their individual stories, these women’s presence are forwarded, simultaneously as I collect the trace of each participant through their handwriting.

Although I often use my own body and myself as a tool, my concerns are not of a private character, but directed to experiences we all share, as living beings.

I spit, I scream, I whisper to activate materials like ashes…